My work engages with the politics and poetics of space, examing how it can be both freeing and restrictive, and how it relates to accessibility. I am curious about who the world is designed, built and decorated for, and the ways in which this can result in a lack of functionality, leading to the invisibility of certain people in specific spaces. Through this exploration, I focus on how abscene is percieved, using the duality of material and painting to highlight the prescene of women in the constructed world. While my practice is grounded within painting, I use varying materials and processess to create fabricated objects that exist within the parameters of both painting and sculpture.